Learn more about our Presentations
In Betweenness
"Why don't you just write an article?": Reflecting on Composing Complex Music with Socially Engaged
Interweaving Music Styles: Does Anyone Have A Guide?
Interweaving Nusantara Identity and Avant-Garde Prepared Piano: Timbre and Graphic Notation in Opal
Devotions (Lieb ohn alle Maße)
From Isorhythm to Algorithm: Process and Transformation in Composition
Schoenberg the Romantic
Hearing Wabi Sabi in Debussy’s Feuilles Mortes
Reimagining Performance in Community Contexts
Weaving Sound, Care and Belonging: Community‑Engaged Music Practices for Collective Wellbeing
LILY: Interweaving Dementia Awareness, Music Reminiscence and Opera Creation
DTSonics: Sonified Digital Twin of the Human Body
Interweaving Presence: Improvisation, Neural Audio and the Ethics of Authorship
Trust in the Art of Free Improvisation
Accretions and Dissipations: Archipelago Thinking in Artistic Research
Collaborative Composition and Imaginative Exchange amongst Cultural Pluralities
old music, new words
Expanded Solo: Performing the Expanded Self
The Dream of Decolonised Music in a Colonial Reality
Interweaving Sound and Poetic Imagination
Reimagining Getai as Singaporean Art Song
Myriad Meanings in Singaporean Music: Between Qualitative and Practice Research
On My Music and Beyond: Transforming Underwater Sounds into Music
Prism: A Dialogue with Marie Jaell
Earth Song
Redefining the Craft: Enhancing Creative Agency in Western Classical Music Performance
Interweaving Practice and Research: YST PhD in Music Practices
From Institutional Ambition to Concrete Case: The Banda Sinfónica Colombiana Project
Interweaving Precision with Presence
Incidental Music: Locating Musicality in Social Media Content
Creating Contemporary Music for Solo Piano through the Interlocking Gong Music of Sabah, Malaysia
Brahms’ Clarinet: A Journey Through History and an Unexpectedly Mistuned Viola
Not a Gurindam: Deconstructing Malay Poetics through Electroacoustic Practice
Three Settings from the Book of Odes: Creative and Technical Processes
Hearing the Unspoken: Euphemism, Musical Expression and Risk Communication
Folk Traditions, Improvisation and Contemporary Practice
Reimagining Handel and Martines Through Cross-Cultural, Technological and Practice-Led Pathways
The Pathway(s) to 'Chosen?':Transcending borders of Time, Place, and Performative Discipline
Navigating Musical Identities: Nine Arts Festival
