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      <image:title>Symposium Programme - Installation: Every Step You Tread - Assoc Prof Ho Chee Kong (YST Conservatory of Music)</image:title>
      <image:caption>Dr Ho Chee Kong is Vice Dean (Academic Affairs) and was the founding Head of Composition at the Yong Siew Toh Conservatory of Music, National University of Singapore. His international commissions and works for both Western and Chinese ensembles have been performed at festivals and concerts in Asia, Europe, and the Americas. Ho’s music has been described as “evocative and lyrical”, “distinguished by a strong power of the narrative and exotic instrumental colors” and “exuding a distinct impression of Asian sounds”. He has been an adjudicator for competitions and an external reviewer for universities within Asia and the USA. He has chaired and organized the 29th International Computer Music Conference in 2003, the Japan-Singapore Exchange Concerts in 2005 and 2006, the 31st Asian Composers League Conference and Festival (ACL 2013), and in 2007 established and founded the Composers Society of Singapore.</image:caption>
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      <image:title>Symposium Programme - Installation: was wahr bleibt (what truth remains) - Joan Tan Jing Wen (Hochschule für Musik und Tanz Köln)</image:title>
      <image:caption>Joan Tan Jing Wen is a Singaporean composer based in Cologne, Germany. She holds a Bachelor of Music in Composition from the Yong Siew Toh Conservatory of Music and a Master’s in Instrumental Composition from the Hochschule für Musik und Tanz Köln. In a world where much sensory input is tuned out for the sake of everyday functioning, Joan seeks to create sonic experiences that encourage focused listening, guiding listeners through crafted auditory experiences that reflect upon and respond to their environments. She is fascinated by how attention constructs and distorts perception, shaping our experiences. Her music blends sound design, foley, and new music composition, occupying a liminal space between narrative-driven and material-driven listening. Recognisable sound sources are often distorted in her works, leaving behind crafted gestures and faint traces of what they once were.</image:caption>
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      <image:title>Symposium Programme - Installation: was wahr bleibt (what truth remains) - Irene Tanuwidjaja (Hochschule für Musik und Tanz Köln)</image:title>
      <image:caption>Irene Tanuwidjaja is an Indonesian composer who holds a Master of Music in Electronic Composition from the Hochschule für Musik und Tanz Köln, where she studied with Michael Beil as a DAAD scholar. She previously completed her bachelor’s degree at UPH Conservatory of Music, Indonesia, studying with Antonius Priyanto and Renardi Effendi. Her work often begins with small gestural motions or fleeting visual moments drawn from subtle details in everyday life, sound and the cultural environments that have shaped her experience. These gestures transform into materials through which sensory experiences unfold, revealing the inner textures of sonic and visual materials. Irene is also Artistic Director of Radarsuara, an Indonesian composer collective focused on sonic experimentation through creative practice and research rooted in local Indonesian landscapes. Her works have been presented by organisations and ensembles including Ensemble Mosaik, ZKM, Tacet(i) Ensemble, and at festivals across Indonesia and internationally.</image:caption>
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